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To some music creators and fans,Auto-Tune is destroying American popular music. To others, it's just a studiotool that makes people sound better.
Jul 26, 2017 Auto-Tune can certainly sound tacky and unpleasant at times, and, in some situations, it's utterly superfluous. Yet, like anything, when it's used with subtlety and ingenuity, it can imbue a track with a compelling, unique, and undefinable sound. Here are a few examples of artists tastefully using Auto-Tune and why it works. In need of some Autotune/Pitch Correction Software? Then look no further, we've complied a list of 6 of the best quality Free Autotune VSTs we could find for both Mac and Windows. Jul 31, 2016 Om Forum Resident Thread Starter Location: Boston, MA. I heard somewhere so many artists are using auto tune in concert now. That Elton John is one of the last real live performers. I always couldn't help notice that something seemed fake about Paul McCartneys live in New York album or even Rush in concert, Eagles?
Before we weigh in on other side, let's be specific about what Auto-Tune is. As you probably already know, Auto-Tune is an app that corrects pitch. Engineers use it subtly during live shows to keep the vocals clear and in key. And it's used as an obvious effect, creating a kind of computerized vocal sound. A famous example of the latter is actually the song that brought Auto-Tune to a massive audience — Cher's 1998 monster hit Believe.
(Don't confuse Auto-Tune with the vocoder, another effect that creates robotic-sounding vocals—compare Cher's track with another late 90s hit, Daft Punk's Around the World.)
Since the 90s there has been an incredibly long list of artists who use Auto-Tune. In hip-hop, you can hear it on songs by Kanye West, Lil Wayne, Snoop Dogg and Drake. T-Pain used Auto-Tune so much that Jay-Z criticized him in his song D.O.A. — or 'Death of Auto-Tune.'
Art rockers Radiohead used it ontheir seminal 2001 album Amnesiac. It'sall over the albums of pop singers like Britney Spears and Keisha. CroonerMichael Bublé criticized it, but then in the same interview admitted that he uses 'as a means to get onto Top 40radio.'
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So is it a good thing or a badthing?
Onthe 'con' side, Auto-Tune has taken pop music away from the beauty of the humanvoice. T-Pain's signature sound gets annoying pretty quickly. And one critic said that when Black EyedPeas use it, which is a lot, it sounds like 'musicrobots make when they're trying to sell products to other robots.'
But is it so terrible when it isn'tnoticeable? After all, engineers have been using technology to improve vocaltracks for about as long as there have been vocal tracks.
Is Auto-Tune 'Cheating' for Artists?
People may be right when they thinkof it as a kind of cheating. Then again, it was an open secret in the industrythat 80s recording artists like Madonna and Paula Abdul needed help — a lot ofhelp — with their vocals. Auto-Tune is just the latest kind of fakery.
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Auto-Tune is everywhere for threereasons: it makes singers sound better, some people like that robotic sound,and it helps make hits. And since the music business is a business, that thirdreason is probably the biggest.
There is a lot to be said for theunadorned human voice. But we have to admit that anytime we amplify or recordmusic, we're always trying to make it sound better — with the best equipmentand yes, the best effects.
So Auto-Tune is really like anyanother effect. There is nothing wrong with using it judiciously. In fact, itcan save a lot of time and money in the studio. Rely on it too much, and yourisk sounding kind of ridiculous.
Either way, Auto-Tune is here tostay. That is, until the next big game-changing piece of technology comesalong.
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